Uncommon Women and Others and Being Amazing

The first time I saw Uncommon Women and Others, I was completely electrified.  I saw it on PBS, shortly after I graduated college and just a few years after it had been written.  I watched it upstairs at my parents in what we called the office on their black and white TV.  We were always behind the times that way. It shocks me now to see old programs in color when  I have vivid recollections of them in black and white.  Uncommon Women resonated with me for several reasons.  Even though it was set at a Seven Sisters school and I went to a sub Ivy, I recognized that type of young woman.  There were lots at Goucher and some even at Hopkins where I attended.  In the play, the women are looking back at their lives from the vantage point of 30.  They had promised when they were 30, they were going to be amazing.  I was still in my 20’s and living with my parents.  I needed to believe that thirty could and would be amazing.

Watch this play and you will see early performances by Meryl Streep, Jill Eikenberry and Swoosie Kurtz.  Amazing.  It also confirmed my longing for strong, female friendships.  I had gone to what was essentially an all boys school.  I had rebelled against my mother who saw me at Vassar or Radcliffe.  I did want Bennington but she vetoed that because – shock- a women’s college with a woman president!  In many ways, she was a product of her era.

I did develop those strong female friendships along the way.  I am still in contact with my college roommate over 40 years later.  I have reconnected with some of the girls of my youth.  I have other women I have picked up along the way that have given me an incredible safety net, strength, support and love.  But sitting watching that black and white TV, I knew none of that.

I remember thinking as I watched that I wish there was a way to keep this, like a book, so I could take it out and look at it whenever I wanted.  A few years passed.  It came back on PBS.  By then, I was over 30 with a color television of my own and a VCR to record it.  The world was moving.  I wasn’t amazing but I was doing alright.  I was making crap money; had a glamorous job; and was not working up to my potential.  I was, however, known as a person with friends.  I had a therapist at that time who told me I defined myself as a friend.  I did not think it was a bad thing.

 

I, like the women in the play, began to believe at 40, I would be amazing.  Forty came and went and I was so not amazing.  I no longer had the glamorous job and was back with my parents.  Volunteering saved me.  I was lucky to have a volunteer position that involved raising money to support and advance women’s rights.  New York, my state, was never ever going to be able to compete against California.  There is just too much money there.  However, Uncommon Women and Others continued to resonate with me.  I used it in my stump speech all the time.  I believed that as a state, we could raise our fundraising and be amazing.  We, as women, could and would be amazing. Was this uncommon?

 

Time advanced.  I was ecstatic to discover Uncommon Women and Others on DVD.  I bought a handful and gave them to my important women friends one Christmas.  Technology was amazing.

 

Wendy Wasserstein wrote other, wonderful powerful plays about women.  I have been blessed to be able to see them.  These plays grew along with me. Women of a certain age will relate to The Heidi Chronicles. She became an iconic voice for women. Wendy Wasserstein was truly amazing and she died.

I passed 50 and was still waiting to be amazing, then 60.  I still aspire to be amazing.  As the years have passed, my concept of amazing has changed.  In my 20’s, I wanted the job, the car, the man, the friends.  It didn’t change much for my 30’s.  I did have all of that but somehow it wasn’t amazing enough.  My 40’s found me rebuilding – a broken marriage,  broken relationships, a different career, better friends and moments to be amazing.  I am very proud of the work I did for that organization and hoped I have helped other women find their “amazing”. 50’s – almost there.  I had created a sort of life that became blown up by disease.  I fought and continue to fight.  60? Still standing and literally that is remarkable and amazing.  I was filled with more fortitude than I thought possible.

 

Amazing changes through time and space.  Can I say now when I reach 70, I am going to be amazing?  Seventy sounds like a foreign country, unexplored and unimagined but closer.  I thought when I graduated college that I would go for my PhD in my 60’s.  Well, that ship sailed.  I still have the curiosity and the interest.  However, time and money have become finite.  I consider myself amazing sometimes because I have been able to find and hold uncommon women and “others” in my life.  I never could have imagined that or its importance when I first experienced the play. Sometimes, when I consider what life has thrown at me, I may be amazing.  I still keep on trying.  I try to walk.  I miss the feeling of speed and air when I am walking.  Sometimes, I miss working yet still I tick on. What makes us uncommon women and what makes us amazing?  I consider my uncommon women friends amazing.  Each in her own way is unique yet the same.  They are intelligent, curious, courageous, inspiring.  They lead.  They share.  They never stop changing.  They are principled.  They have style and substance whether they acknowledge it or not. I have fulfilled one of my wishes from when I first saw “Uncommon Women and Others”, I have those close female friends for decades, uncommon women each and everyone of them, and that is AMAZING!

Fashion of the Times

Karl Lagerfeld has died and T, the fashion magazine of the New York Times  has been published.  What can that possibly have to do with my life, challenges, struggles?  Everything.  I joke that, “Clothing is my life.”  Well, it’s really not a joke. My mother told me when I was a young teenager that I was going to be a clothes horse My clothes are my expression.  Give me a moment in my life and I will tell you what I wore and why.  For example, my final interview for the job that finally took me to pret a porter – a lavender tweed suit with a bomber style jacket, cream silk blouse and lavender snakeskin pumps.  I was advised that if I wore those shoes, I’d never get that job.  It was in mens accessories and I had two points to make:  I was not a man and I was my own person.  A picture exists – a young me in a Jonathan Logan floral in Georgetown during the Cherry Blossom Festival.  People thought I was a model.  Sometimes, clothing is a weapon.  “A face to meet the faces you meet.”

I grew up with a grandmother who supported her children by sewing.  She didn’t need a pattern. My mother needed a dress for a charity ball and had liked a dress in a movie with Ingrid Bergman.  She took Grandma to the film, pointed out the dress and it was done.

REIMA 1940'S GRANDMA MADE DRESS FOR A BENEFIT

I never knew my actual size until I was in 8th grade as Grandma made most of my clothes.  The truth came out in what later became a pivotal moment for me.  The sewing pattern companies used to come into the schools and do fashion shows.  I was chosen by the company coordinator to model in the evening wear portion of the event.  This is the equivalent of the bride in a designer show.  She was stunned I didn’t know my size.  I was stunned I was picked. And being considered ugly by my peers, she picked me for evening wear.   It was a short lace dress with a turquoise empire top and an eyelet lace flounce. A style minus the flounce that has served me well over the years.

Fashion and clothes were just an important part of our lives.  We lived with color, fabric, sewing.  My grandmother’s idea of bliss was a good fabric store.  I still seek one out periodically to get my fix. It’s the feel, the colors, the possibilities.

Fashion was such an integral part of life that I had no idea that it could be a career.  I knew about designers, of course.  But that was drawing, something best left to my mother.  And besides, I was considered too smart for something so frivolous and seemingly transitory.  I was asked by my university placement office what I wanted to do.  My reply, “Wear Vogue clothes.”   Well, I was told with a degree from Hopkins I could do anything and buy anything.  I did eventually get to wear my Vogue clothes but not for years.

The Fashion of the Times used to come out twice a year.  Starting in high school, it was my bible.  I devoured it.  I hoarded it.  I practically took the ink off the page.  I would look at it for EVERYTHING – clothes, colors, shoes, hair, makeup, accessories.  Each category received a separate reading and evaluation.  Then which looks were my favorites, which I thought would sell (not necessarily the same) and which were bombs.  This took days.  Then I saved them for reference materials; my own private fashion library.  And I can say, I was very, very good at it. I had a manager years later who laughed because I would come up with designs similar to Ralph Lauren without his resources or library.  Fashion infuses your pores.

I went back to school.  I earned a fashion degree. My first job was at Bobbie Brooks.  And so much for a fashion degree.  I was hired because I was Libra and therefore perceived as balanced; I was the only candidate with her own personal stationery; and they thought my Hopkins degree in social sciences gave me a psychology background.  And yes, “The Devil Wears Prada” is real.   My Fashion of the Times  obsession served me well.  I have my own very specific sense of style.  And it has been recognized.  I have been blessed to attend pret a porter as a licensee.  You cannot begin to imagine my absolute, utter rapture. I remember standing outside the designer tent the first time.  It was a warm, blue morning.  I was near tears as I thought of my grandmother and how proud she would have been of me, and how envious.    And even in my lowly capacity, people noticed what I wore and commented weeks later when back in New York.

I have always been definite about what I liked and did not like.  Chanel always resonated.  I saw an ad recently  with pale blue lace pants and had palpitations.  I calmed down a bit when I realized I had nowhere to wear anything like that plus it might be a bit jeune fille for me.  Isn’t it difficult when you see yourself in your mind’s eye one way but the mirror holds a different reality? And me being my tweaky little self bought a pale blue lace top at a thrift store last year.  Important note:  normally blue is not my color.  Fashion is in the pores. Yellows, blues, greens belonged to my mother.  I was pinks, lavenders, reds, black, grey.  I liked Versace when Gianni was alive, all those wild exciting prints. St. Laurent, sometimes for a viewpoint;  Ungaro for prints and color; Vollbracht for the art; Zoran for his elegant spareness, a little Valentino, tiny bit of Calvin Klein, Max Mara.

What I did not like:  Vuitton, Gucci, Dolce and Gabbana, Armani, Ralph Lauren.  I detested Lauren and thought it wannabe and derivative.  ( I did say I have/had definite views.) I interviewed once at Lauren and the manager told me I was a classic American beauty.  NOT!! And #Metoo.  I knew what was up with that gig.  I worked for Izod-Lacoste which to me was like nails grating on a blackboard.  In my last fashion gig, decades ago, I was told to copy The Gap!  Seriously? Seriously. It contributed to the demise of my fashion career.

And a favorite memory from that fashion time, before I had the job that let me go to pret a porter.  I was out of work as happens often in the garment industry.  I had a temporary job through a connection, as basically a messenger and dogsbody for a prominent jewelry designer.  I had to deliver some jewelry to Adolfo.  Going up in the lift (and of course, at Adolfo, it was a lift and not an elevator) a gentleman said to me. “My dear, you are much too young to be dressed by Adolfo.”

I have noticed in the last year or so that I actually like the full page Ralph Lauren ads in the Sunday Styles. I have wondered whether this is due to age, new designer or both?

Sunday Styles (aka the women’s pages) are the first thing I read in the Sunday Times.  One of the things that has really bothered me about my condition is my inability to wear what I want to wear.  It’s how I express myself.  I no longer go to work so for the most part those lovely dresses and suits just hang.  They are like pearls that aren’t worn, houses that are not lived in.  They have an air of desolation and creeping deterioration. I can no longer wear the right shoes either.  My shoes destroy the line and with it some of the joy.  We can’t even begin to understand the impact of the spectral leg, cane/rollator. What’s ironic is that I am finally thin enough to wear some of the looks I’ve wanted.

Life changes.  It’s no longer Fashion of the Times but T.  I receive my Sunday supplement on Saturday.  In the past, that would have been my Saturday and Sunday.  I just opened it during the week .  I am still at the beginning.  Surprise – I loved the Vuitton; I loved the Gucci; I detested the Max Mara?  What’s going on?  Is it age?  Some of it.  A new designer? Definitely.  So, here’s the other issue – I love the Vuitton but it’s for the young Versace- Ungaro me. The things I like are too young for me.  Well, maybe not the Gucci which appears Chanelesque.  More troubling is why I still haven’t finishing devouring it.  And if I remember correctly, I only tore one page out of the previous issue.  What’s going on?  If I have left fashion behind, does that mean as a senior citizen I am finally leaving my youth behind?  I don’t think this is correct.  Women  much older than me, revel in fashion.  Age ain’t what it used to be.  Is it depression?  I guess so.  Isn’t it said, what happens when a tree falls in a forest when there’s no one there?  Is the joy gone because no one will see me? Or, that I can no longer afford it?  Disclaimer – I have only worn knock offs with the exception of two Emanuelle Khanhs and a Vollbracht.  Hair and shoes no longer apply.  Something to ponder as I go back to my magazine.

The Story of a Dress

An old friend , recently, sent  a picture of me at a luncheon in the early 90’s.  I have a big hat, a light tan and a huge grin.  I am wearing a brocade dress of my mother’s made by my grandmother.  This is a mythic dress in my family.

My grandmother sewed to support her children.  Grandma could make anything.  Well, let me amend that statement.  She could and would make anything if she liked the fabric and

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